Study for The Western Wedding by William Orpen Art Print

Study for The Western Wedding (c.1914) – William Orpen

The Western Wedding no longer exists. The finished painting was lost, and what remains is this — a preparatory study of two figures kneeling, hands joined, made around 1914 as part of Orpen's Irish Trilogy.

The female figure is Connie Martin, a professional model Orpen worked with regularly. The male figure is thought to be Sean Keating, then a young student of Orpen's who would go on to become one of Ireland's most important painters. Orpen posed them with the gravity of a Renaissance altarpiece — the kneeling figures echo Piero della Francesca — but the setting is unmistakably Irish.

The Irish Trilogy was Orpen's most ambitious attempt to make monumental history painting out of Irish life. Two of the three finished works survived. This study is the closest we get to the one that didn't.

Sir William Orpen (1878-1931), born in Stillorgan, Co Dublin, trained at the Metropolitan School of Art in Dublin and the Slade School in London, becoming one of the most successful portrait painters of his generation. His work hangs in the National Gallery of Ireland.

Sizes & Format

• A4 (21 × 29.7 cm)
• A3 (29.7 × 42 cm)
• A2 (42 × 59.4 cm)
• A1 (59.4 × 84.1 cm)
• A0 (84.1 × 118.9 cm)
• Available unframed

Print Details

Archival matte paper, 250gsm (110lb), acid-free and FSC-certified — off-white, uncoated. Unframed prints up to A4 ship flat; larger sizes ship rolled in a protective tube.

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