• John Lavery painting Under the Cherry Tree, print with a thin white border
  • Under the Cherry Tree by John Lavery in an ornate gilt frame above a marble fireplace in a panelled room
  • Under the Cherry Tree framed print in a natural oak frame on a dark green wall beside a window, dappled plant shadow
  • Under the Cherry Tree framed print in a black frame leaning against a white plaster wall on oak floorboards in morning light
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  • Under the Cherry Tree by John Lavery framed print in a black frame above an oak sideboard
  • Under the Cherry Tree by Sir John Lavery, painting of a woman in a blue dress by a riverbank cherry tree
  • Under the Cherry Tree by Sir John Lavery in a slim white frame
  • Under the Cherry Tree by Sir John Lavery in a black frame
  • Under the Cherry Tree by Sir John Lavery in a dark walnut frame
  • John Lavery Under the Cherry Tree print in a dark brown wood frame, straight-on
  • Under the Cherry Tree by John Lavery, unframed print of figures in a riverside garden
  • Sir John Lavery Under the Cherry Tree print with a narrow white edge
  • John Lavery painting of a riverside garden with a stone bridge, Under the Cherry Tree print
  • Under the Cherry Tree by John Lavery, flat artwork image of the full painting
  • Under the Cherry Tree by Sir John Lavery, woman under a tree with a seated girl, print with white edge
  • Under the Cherry Tree by Sir John Lavery in a natural oak frame
  • John Lavery Under the Cherry Tree, unframed print with a fine border
  • John Lavery Under the Cherry Tree print in a white frame, straight-on
  • John Lavery Under the Cherry Tree print in a matte black frame, straight-on
  • Under the Cherry Tree by John Lavery in a dark wood frame on a white background
  • Sir John Lavery Under the Cherry Tree in a slim black frame
  • Under the Cherry Tree by John Lavery, print with a pale grey edge
  • Sir John Lavery painting Under the Cherry Tree, green riverbank with figures and a bridge, unframed
  • Under the Cherry Tree by John Lavery, unframed art print of a summer garden scene
  • Lavery's Under the Cherry Tree, riverside figures and a man in a straw hat, unframed print
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Under the Cherry Tree by Irish Artist John Lavery Art Print

Under the Cherry Tree by Irish Artist John Lavery Art Print

€70,00 EUR
€70,00 EUR
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John Lavery

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Lavery painted this in 1884, during his early years studying in Paris, at the artists' colony of Grez-sur-Loing near Fontainebleau — a village where young painters set up easels in the surrounding fields to work en plein air. Larger and more ambitious than anything he'd attempted before, the painting was heavily influenced by Jules Bastien-Lepage and meant to show off everything Lavery had just learned in France.

The composition splits into three distinct passages, each painted with a different technique: a young girl seated on a wheelbarrow beside a watering can, an older girl leaning on a fence between the trees, and both of them watching a boy out on the river in a boat, oar in hand, with a stone bridge behind him.

The painting is held by National Museums NI (Ulster Museum), catalogue number BELUM.U67, and was included in the exhibition Light From The West.

About this work

Under the Cherry Tree was painted in 1884 by the Belfast-born artist Sir John Lavery (1856–1941) at Grez-sur-Loing, a village on the river Loing south of Fontainebleau where artists had gathered since the 1860s. It was first shown at the Glasgow Institute in 1885 as On the Loing: An Afternoon Chat. Lavery kept it, and it came to Belfast when he gave a group of his paintings to the city in 1929. The original is oil on canvas and is held by National Museums NI in the Ulster Museum (BELUM.U67). Late in the 1890s he returned to Grez and painted almost the same view again in The Bridge at Grez. This print is an open edition, made to order and shipped worldwide.

Sizes & Format

  • 30 × 30 cm / 12 × 12″
  • 50 × 50 cm / 20 × 20″
  • 70 × 70 cm / 28 × 28″
  • 100 × 100 cm / 40 × 40″ (unframed only)
  • Unframed in every size; framed in black, white or wood at 30 × 30 cm, 50 × 50 cm and 70 × 70 cm

Print & Frame Details

Archival matte paper, 250gsm (110lb), acid-free and FSC-certified — off-white, uncoated. Framed prints: solid oak or ash wood frame, 20mm thick, with shatterproof protective glazing. Ready to hang, hanging kit included. Unframed prints up to A4 ship flat; larger sizes ship rolled in a protective tube.

Free Worldwide Shipping

Framed prints are packed with protective corners and wrap, boxed with reinforced edges, and braced with internal supports for extra rigidity (max 3 frames per package). Every order ships free, made to order and delivered from the hub closest to you: Ireland 3–7 business days · UK 4–8 · USA 5–10 · Canada 6–12 · Australia 7–14.

Questions about this print

Where is the original Under the Cherry Tree by Sir John Lavery?
It is held by National Museums NI in the Ulster Museum in Belfast (BELUM.U67), an oil on canvas dated 1884. Lavery gave a group of his paintings to Belfast in 1929, and this large canvas, which he had kept, came to the city then.

What did Lavery first call it?
When it was first shown at the Glasgow Institute in 1885 it was titled On the Loing: An Afternoon Chat. The Loing is the river at Grez-sur-Loing, near Fontainebleau, where he painted it.

What does the painting show?
A young girl seated on a wheelbarrow beside a watering can, an older girl leaning on a fence between the trees, and a boy out on the river in a boat, oar in hand, with a stone bridge behind him. The composition divides into three distinct areas, and Lavery used a different technique in each.

What sizes and frames are available, and what does it cost?
This is a square image, made at 30 × 30, 50 × 50 and 70 × 70 cm, unframed or framed in black, white or natural wood, and at 100 × 100 cm, unframed only. The size and frame selector on this page shows the exact price of every option. Frames arrive ready to hang with shatter-resistant glazing, and the paper is archival, acid-free matte with pigment inks. Every size and price is listed on the print prices, sizes and framing page. Every print is an open edition, so nothing is numbered or withdrawn.

How long does delivery take, and what if it arrives damaged?
Every print is made to order and dispatched within 2–5 business days, and shipping is free worldwide. After dispatch, delivery takes 3–7 business days in Ireland, 4–8 in the UK, 5–10 in the USA, 6–12 in Canada and 7–14 in Australia, with tracking by email. If your print arrives damaged or defective, email info@buyirishart.com within 14 days of delivery with a photo and we will replace it or refund you in full. Because every print is made to order, we cannot accept returns for a change of mind. See Shipping & Delivery and the refund policy.

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